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  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts
  • The Book of Colour Concepts

The Book of Colour Concepts

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    Alexandra Loske is a British-German art historian, writer, and museum curator, with a particular interest in the role of women in the history of colour. She received her Ph.D. from the University of Sussex, and is currently Curator of the Royal Pavilion in Brighton. Loske has lectured and been published widely on colour and other topics, and has curated a number of exhibitions, including “Regency Colour and Beyond, 1785–1845” at the Royal Pavilion in 2014.


    Sarah Lowengard is a historian of technology and science who writes about practical and philosophical engagements with colour. A practicing art conservator for more than 40 years and an artisan colour-maker for even longer, Lowengard is a member of the Faculty of Humanities and Social Sciences at the Cooper Union in New York City, and maintains affiliation with several technical art history and analytical art organizations in the United States and abroad.


    The Book of Colour Concepts
    Hardcover, two vols. in slipcase, 24.3 x 30.4 cm, 5.95 kg, 846 pages

    ISBN 978-3-8365-9565-0

    Edition: Multilingual (English, French, German, Spanish)

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